FilmConvert Pro OFX v1.08|Nuke/Vegas/DaVinci Resolve/Scratch数字转胶片调色插件

FilmConvert Pro OFX v1.08|Nuke/Vegas/DaVinci Resolve/Scratch数字转胶片调色插件

FilmConvert Pro OFX v1.08|Nuke/Vegas/DaVinci Resolve/Scratch数字转胶片调色插件

【插件介绍】

FilmConvert Pro 是一款将数字摄影机拍摄的素材色彩转换成胶片色彩的工具,可作为独立程序,也可以作为第三方插件,

插件支持win系统: Nuke8、 Scratch 7、 DaVinci Resolve 10,Vegas,

适用素材 RED,DSLR,MOV,内置19种胶片预设,8MM-35MM 镜头噪点设置,

操作流程简单,支持4K输出。

官网地址:http://www.filmconvert.com/default.aspx

 

What is FilmConvert?

Ever since the introduction of Digital Cameras, digital evangelists have been saying how Film would eventually be superceeded and replaced. After several decades, this is finally happening. However, for many people, the look of the digital footage still leaves a lot to be desired and doesn’t look as good straight out of the camera.

What is it about film that people like so much?

Some people say that film has a ‘magical’ and ‘organic’ quality that can never be achieved by a digital camera. We take a more scientific approach. For many years, the film workflow has been to have the film scanned and then graded digitally. Both formats end up as digital files, we can compare them and find out the specific differences.

Our tests have shown that film responds to colors in a different way. Let’s look at an example – shot on Fuji Pro 160s, and the same image shot on a Canon 5D Mk II. Look specifically how the trees seem to ‘pop’ in the film image.

什么是电影转化?

 

自从数码相机问世以来,数字福音传道者一直在说电影最终将如何被取代。几十年后,这种情况终于发生了。然而,对于许多人来说,数字画面的外观仍然有很多不尽如人意的地方,在镜头外看起来也不太好。

 

人们如此喜欢这部电影的原因是什么?

 

有人说这部电影有一种“神奇”和“有机”的品质,这是数码相机永远无法做到的。我们采取更科学的方法。多年来,电影工作流程一直是对电影进行扫描,然后进行数字分级。这两种格式最终都是数字文件,我们可以比较它们并找出具体的差异。

 

我们的测试表明,胶片对颜色的反应方式不同。让我们看一个例子——在富士Pro 160上拍摄,在佳能5D Mk II上拍摄的图像相同。具体看一下电影画面中的树木是如何“弹出”的。

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